ABOUT THE ARTIST
ABOUT THE ARTIST
I consider myself to be very blessed. Though I can seldom recall my cell phone number or the year of our last family reunion, I do remember my childhood with extraordinary clarity. I attribute this gift of recollection to my early fascination with animals. I loved them, all of them. The more I learned, the more I questioned; my little head brimming with facts and images. Just knowing that in Africa, elephants were walking around loose and I was missing it, made sleeping difficult. I was crazed. What I learned and when I learned it marked the passing of my youth.
My curiosity and passion for nature propelled me through what my friends tell me was a very unusual childhood. Growing up on the outskirts of Fort Worth in the Fifties was a wonderful time for being a child. I know it sounds strange, but this was partly due to my parents' divorce. I was four. I visited my Dad, Uncle, and Grandma on the weekends where they did their very best to civilize me, but during the week, I lived with my sister Georgia and my mother, the most beautiful nurse in Texas. Picture Vivian Leigh as Scarlet O'Hara in a starched white uniform complete with red lined navy cape and crisp white cap. The many demands placed on her by career and beauty occupied her time and left me with the maternal supervision of a young jackrabbit. I was free! Wild as any animal of the live oak and pecan woods and fleet as any grassland critter, I knew what it was to be a boy in cutoffs, tanned as an acorn under the Texas sun; no shirt, no shoes, no curfew, nothing but the pure joy of being a child on God's green Earth.
So naturally, I followed my heart. Furred, scaled or feathered, I pursued. Always alone, never afraid. I was among friends. And as I quietly watched, a powerful need to draw what I saw came over me. It was a way to hold on to the moment, that particular animal, and keep it with me. I'd observe and draw, later comparing what I'd done to pictures in my animal book.
Horned Lizards, at the time common as grasshoppers, were a very favorite subject appearing in my mind as tiny replicas of the magnificent dinosaurs! Like most children, I was in awe of these prehistoric animals, spending hours modeling them in red and green clay, then watching in despair as they began to droop and sag in the summer heat. So I'd pose them quickly and find a spot next to the ice trays in the tiny freezer of our Frigidaire. Frozen, I could play with them for a couple of hours before the extinction process began again.
My Dad was instrumental in my becoming an artist/naturalist. He was kind and loving and wanted me to be happy. Though money was always scarce, he gave me a precious gift; his time on weekends. Every Saturday, and I do mean every Saturday, he would take me to the Fort Worth Zoo. At the time, admission was free and there was never a thing I would rather do. It wasn't just Texas animals waiting there: it was the whole world! I drew everything; I read everything as Dad patiently looked on. I had to know more. That's when he introduced me to the city library.
Alton Langford
I assumed the downtown library was a small room inside this giant building with some books, just like it was in my elementary school. I will never forget pushing open the massive doors and walking down the entry hall into the great room. The whole building was books! I remember a tremble running through my skinny body and not being able to speak. I did not know this kind of happiness could be found indoors! That magic moment was not matched until many years later when I met my wife.
One summer when I was seven, I sat on a bank of the Brazos River at twilight fishing with my maternal grandmother. She was full blood Cherokee. She seldom spoke, but when she did, I always listened and remembered. After a long, perfect silence she looked deep into my eyes, smiled and said, "You hear it, don't you? You feel it. You see it. Yes, you know." I did not know how to respond. She made a long, slow stroking motion with her leathery hand in the summer air and said, "The water, the woods, the sky, all these things are for you. You are part of them and they are all of you. You know." I was so young, I thought everyone knew.
Certainly, this is more than anyone would ever need to know about my life. I share these remembrances to show that I have always been as I remain today; fascinated by the diversity, complexity, and beauty of the creatures sharing our fragile planet, and hoping that my work might inspire a closer look at our natural treasures and the desire to secure a safe place for them in our future.
I was somewhere in my forties when I read this beautiful passage from the 1906 book, The Bird, by the American naturalist, explorer, and author William Beebe. It says so poignantly what we all must know to be true. It's been taped to my drawing board ever since.
"The beauty and genius of a work of art may be re-conceived, though its first material expression be destroyed; a vanished harmony may yet again inspire the composer; but when the last individual of a race of living things breathes no more, another heaven and another earth must pass before such a one can be again."